{"id":1234,"date":"2011-11-14T18:19:40","date_gmt":"2011-11-14T16:19:40","guid":{"rendered":"http:\/\/blogg.svenskakyrkan.se\/film\/?p=1234"},"modified":"2011-11-17T16:10:22","modified_gmt":"2011-11-17T14:10:22","slug":"kris-i-barnfilmsfragan","status":"publish","type":"post","link":"https:\/\/blogg.svenskakyrkan.se\/film\/2011\/11\/14\/kris-i-barnfilmsfragan\/","title":{"rendered":"Kris i barnfilmsfr\u00e5gan"},"content":{"rendered":"

Det \u00e4r nu ett helt \u00e5r sedan en svensk film f\u00f6r barn i skol\u00e5ldern gick upp p\u00e5 bio. L\u00e5ngfilmen om familjen Rantanens sm\u00e5lustiga \u00e4ventyr p\u00e5 Hotell Gyllene knorren i fjol blev heller vare sig den kritiker- eller publikframg\u00e5ng som filmteamet hade hoppats p\u00e5.<\/p>\n

Fler \u00e4n jag sj\u00e4lv b\u00f6rjade anv\u00e4nda begreppet ”kris” s\u00e5 snart svensk barnfilm kom p\u00e5 tal. F\u00f6r just s\u00e5 enkelt och nedsl\u00e5ende \u00e4r det: sedan n\u00e5gra \u00e5r tillbaka g\u00f6rs alldeles f\u00f6r f\u00e5 och alldeles f\u00f6r d\u00e5liga barnfilmer i v\u00e5rt land.<\/p>\n

Sn\u00e5lt med nordisk film p\u00e5 bio\u00a0<\/strong><\/p>\n

Det skulle nu inte beh\u00f6va vara s\u00e5 katastrofalt att Sverige, med en l\u00e5ng och stolt tradition bakom sig, hade n\u00e5gra s\u00e4mre \u00e5r ifall bara behovet av bra barnfilm t\u00e4cktes utifr\u00e5n. Men tyv\u00e4rr sker icke s\u00e5. De m\u00e5nga g\u00e5nger roliga, sp\u00e4nnande och hyllade barnfilmer som g\u00f6rs i grannl\u00e4nderna f\u00e5r ytterst s\u00e4llan premi\u00e4r i v\u00e5rt land utan visas bara vid enstaka tillf\u00e4llen f\u00f6r en mycket liten, men mycket entusiastisk, festivalpublik.<\/p>\n

Medan norska ungar vuxit upp med svenska filmer och TV-program k\u00e4nner v\u00e5ra p\u00e5 sin h\u00f6jd till Fl\u00e5klypa Grand Prix<\/a>. <\/em>Medan danska barn \u00e4r v\u00e4l f\u00f6rtrogna med Emil och Madicken tittar v\u00e5ra i b\u00e4sta fall p\u00e5 Br\u00f8drerne Olsens svenska version; J\u00f6nssonligan.<\/p>\n

K\u00e4rlek, d\u00f6d och f\u00f6rsoning<\/strong><\/p>\n

Och det \u00e4r synd. F\u00f6r \u00e4ven om inte kvantiteten imponerar s\u00e5 s\u00e4rdeles heller i v\u00e5ra grannl\u00e4nder, \u00e4r den genomsnittliga kvaliteten betydligt h\u00f6gre \u00e4n i Sverige.<\/p>\n

Fjol\u00e5rets stora festivalvinnare var till exempel norska Arild Andresens Keeper’n til Liverpool <\/a>(Liverpool goalie) <\/em>om tolv\u00e5rige Jos jakt p\u00e5 tre ting: Maris k\u00e4rlek, f\u00f6rsoning med pappans d\u00f6d och samlarkortet p\u00e5 Liverpools m\u00e5lis \u2013 det allra v\u00e4rdaste. Som kanske skulle kunna l\u00f6sa alla problem. Eller inte. Med sin fina balans mellan komik och allvar och sin lekfulla ber\u00e4ttarstil \u00e4r det h\u00e4r en s\u00e5dan film som charmar alla.<\/p>\n

Adoption och global or\u00e4ttvisa<\/strong><\/p>\n

Brutalare, men \u00e4nd\u00e5 p\u00e5fallande l\u00e4tthandad, \u00e4r danska Vibeke Musayas Kidnappet<\/em> <\/a>om Simon som reser med sin mamma till sitt f\u00f6delseland Kenya och som genom en rad of\u00f6ruts\u00e4gbara h\u00e4ndelser h\u00e5ller p\u00e5 att r\u00e5ka riktigt illa ut.<\/p>\n

Filmen ber\u00e4ttar modigt om s\u00e5v\u00e4l den adopterades identitetsf\u00f6rvirring som de enorma or\u00e4ttvisor som finns mellan m\u00e4nniskor i v\u00e5r v\u00e4rld \u2013 och \u00e4r p\u00e5 samma g\u00e5ng andl\u00f6st nagelbitarsp\u00e4nnande.<\/p>\n

Genre\u00f6verskridande barnfilm<\/strong><\/p>\n

Danmark har ju f\u00f6r \u00f6vrigt en stark tradition av befriande genre\u00f6verskridanden inom just barnfilmen att falla tillbaka p\u00e5; stark realism bryts ofta upp av fantasy,- science fiction- eller musikalinslag p\u00e5 ett sm\u00e5tt halsbrytande s\u00e4tt. En klassiker \u00e4r f\u00f6rst\u00e5s S\u00f8ren Kragh Jacobsens Gummitarzan<\/a>, <\/em>ett nyare exempel Birger Larsens Superbror<\/a>. <\/em>\u00a0<\/p>\n

Kanske \u00e4r det danskarnas omvittnat mer avslappnade attityd till det mesta som skapar en god grogrund f\u00f6r riktigt dejliga barnfilmer. Eller s\u00e5 \u00e4r det ren ekonomi som ligger bakom framg\u00e5ngarna: i Danmark \u00e4r en fj\u00e4rdedel av filminstitutets produktionsst\u00f6d \u00f6ronm\u00e4rkta f\u00f6r barn- och ungdomsfilm medan motsvarande siffra i Sverige \u00e4r en tiondel.<\/p>\n

\"\"<\/a>Oavsett anledningen s\u00e5 \u00e4r det h\u00f6g tid att svenska skolbarn ocks\u00e5 f\u00e5r g\u00e5 p\u00e5 bio och se n\u00e5got annat \u00e4n de datoranimerade kioskv\u00e4ltarna fr\u00e5n v\u00e4st. Och g\u00e4rna lite oftare \u00e4n en g\u00e5ng per \u00e5r.<\/p>\n

Malena Janson<\/p>\n

filmforskare Stockholms universitet,<\/p>\n

kritiker i Svenska dagbladet,<\/p>\n

ledamot av juryn f\u00f6r Svenska kyrkans\u00a0Ungdomsfilmpris \u00a0i Malm\u00f6 2011<\/p>\n

Mer av Malena om barnkultur p\u00e5\u00a0barnkulturbloggen<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Filmforskaren Malena Jansson tar tempen p\u00e5 nordisk barnfilm. Kris i Sverige, men Norge och Danmark levererar. <\/p>\n","protected":false},"author":43,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4317],"tags":[],"class_list":["post-1234","post","type-post","status-publish","format-standard","hentry","category-kronika"],"acf":[],"yoast_head":"\nKris i barnfilmsfr\u00e5gan - Filmblogg<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogg.svenskakyrkan.se\/film\/2011\/11\/14\/kris-i-barnfilmsfragan\/\" \/>\n<meta property=\"og:locale\" content=\"sv_SE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kris i barnfilmsfr\u00e5gan - Filmblogg\" \/>\n<meta property=\"og:description\" content=\"Filmforskaren Malena Jansson tar tempen p\u00e5 nordisk barnfilm. 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