{"id":1604,"date":"2012-02-14T00:54:35","date_gmt":"2012-02-13T22:54:35","guid":{"rendered":"http:\/\/blogg.svenskakyrkan.se\/film\/?p=1604"},"modified":"2012-02-14T14:27:33","modified_gmt":"2012-02-14T12:27:33","slug":"allt-for-gud","status":"publish","type":"post","link":"https:\/\/blogg.svenskakyrkan.se\/film\/2012\/02\/14\/allt-for-gud\/","title":{"rendered":"Allt f\u00f6r Gud?"},"content":{"rendered":"

Av en h\u00e4ndelse ser vi tv\u00e5 filmer om religi\u00f6s extremism p\u00e5 s\u00f6ndag f\u00f6rmiddag. Rysk-grekiska Met\u00e9ora<\/a><\/em> \u00e4r sansl\u00f6st vacker. En k\u00e4rlekssaga om en munk och en nunna p\u00e5 var sitt berg, mitt emot varandra. Med en dal och kyskhetsl\u00f6ften mellan sig. Nunnan Anna\u00a0m\u00e5ste firas ned i en n\u00e4tkorg n\u00e4r hon ska p\u00e5 date.<\/p>\n

<\/a><\/p>\n

\"\"<\/a>

Met\u00e9ora<\/p><\/div>\n

F\u00f6rsta halvan s\u00e4gs knappt ett ord. Det beh\u00f6vs inte. Bilderna r\u00e4cker. Landskapet. Stenarna. Dessutom klipp med animerad ikonografi! L\u00e5ter vansinnigt, men \u00e4r konsekvent med materialet. Och f\u00f6rst\u00e4rker intrycket av saga. Det h\u00e4r \u00e4r inte riktigt karakt\u00e4rer av k\u00f6tt och blod. \u00a0<\/p>\n

Men \u00e4nd\u00e5. Ber\u00e4ttelsen.\u00a0Kyrka mot kropp. Tro mot k\u00e4rlek. Asketism enbart som sj\u00e4lvf\u00f6rnekelse. F\u00f6r enkelt i mina \u00f6gon.<\/p>\n

Man fattar inte varf\u00f6r de g\u00e5tt i kloster. Vad h\u00e4nde med den religi\u00f6sa h\u00e4ngivenheten?\u00a0Met\u00e9ora <\/em>\u00e4r en film som vill v\u00e4ldigt mycket. Kanske \u00e4r det ocks\u00e5 en film som s\u00e4ger mycket om betraktaren. Kan just d\u00e4rf\u00f6r \u00f6ppna f\u00f6r intressanta samtal mellan olika kyrkotraditioner. Om vad vi menar med k\u00e4rlek mot Gud och mot varandra.<\/p>\n

Gisslandrama<\/strong><\/p>\n

<\/a><\/p>\n

\"\"<\/a>

Captive<\/p><\/div>\n

Mera Stockholmssyndrom blir det i Captive<\/em> (Captured) med Isabelle Huppert. Baserad\u00a0p\u00e5\u00a0ett verkligt gisslandrama p\u00e5 Filippinerna som \u00e4gde rum 2001-2002. En\u00a0gren ur muslimska Abu Sayyaf\u00a0\u00a0planerar att kidnappa en grupp fr\u00e5n V\u00e4rldbanken, men f\u00e5r med sig turister och mission\u00e4rer ist\u00e4llet.<\/p>\n

De ger sig iv\u00e4g p\u00e5 en mer \u00e4n ett \u00e5r l\u00e5ng marsch genom djungeln. Det visar sig att ”terroristerna” \u00e4r m\u00e4nniskor. Med moral. Vissa \u00e4r t o m barn, inte bara bildligt utan ocks\u00e5 konkret.<\/p>\n

P\u00e5 ett \u00e5r hinner det h\u00e4nda en del. N\u00e5gra d\u00f6r. N\u00e5gra blir frigivna. Tycke uppst\u00e5r. Tv\u00e5ngs\u00e4ktenskap inleds. De kommer n\u00e4ra varandra. Blir levande f\u00f6r varandra. Det \u00e4r laddat p\u00e5 ett n\u00e4rmast utmattande s\u00e4tt. Inga sp\u00e5r av sentimentalitet.<\/p>\n

\"\"<\/a>

Mikael Larsson. Fotograf: Kervin Tran.<\/p><\/div>\n

Men det \u00e4r inte bara ett psykologiskt drama. Skuldfr\u00e5gan \u00e4r i h\u00f6gsta grad politisk.\u00a0B\u00e5de kidnappare och gisslan \u00e4r s\u00e5 tydligt brickor i ett st\u00f6rre politiskt spel.<\/p>\n

Pl\u00f6tsligt fladdrar 11\/9 f\u00f6rbi p\u00e5 radion och f\u00f6r\u00e4ndrar f\u00f6ruts\u00e4ttningarna i grunden f\u00f6r hela gruppen. Nyttigt perspektivbyte!<\/p>\n

Den stora f\u00f6rtj\u00e4nsten med Captive<\/em> \u00e4r hur den framst\u00e4ller ”terroristerna”. Varken\u00a0som hj\u00e4ltar eller religi\u00f6sa fanatiker. Utan som m\u00e4nniskor. Som del av ett ”vi”.<\/p>\n

Mikael Larsson<\/p>\n

Handl\u00e4ggare f\u00f6r kulturfr\u00e5gor<\/p>\n","protected":false},"excerpt":{"rendered":"

Ser tv\u00e5 filmer om religi\u00f6s extremism p\u00e5 s\u00f6ndag f\u00f6rmiddag. 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